Adobe premiere has video speed up11/17/2023 The workflow is the same.įor this lesson, I'm using the Premiere Pro project file 09_02 Clip playback speed.prproj. If you have a batch of clips to change, select them all before you right-click. But if you're working with slow-motion video or professionally recorded sound, just remember to right-click on the clips and choose Modify. Most of the time you won't need to adjust the way Premiere Pro interprets your media files. And if I drag the clip into the Sequence, I just get that one audio channel. I can choose which of the audio channels is used, left or right, click OK. Now only one audio clip will be added to the sequence, when I edit this shot into the Timeline panel. If I go back into that Modify dialog, and set the Number of Audio Clips to 1, and I'll just press the Tab key to come out of that Number of Audio Clips dialog. By the way, there's a slightly quicker way of achieving the same result. Remember: The Linked Selection option means any video and audio that was originally imported together will be selected if you click on either one. In my Timeline panel, I have the Linked Selection option turned off, which means if I select this unwanted audio clip, only it is selected and I can press the Delete key to remove it. And of course, we don't need the second one. We now have two separate audio clips, one for each audio channel. Increase the height for Audio 2, and drag over a little with the navigator. I'll just shorten the Audio 1 track, so you can see a little more clearly. And let's take that same clip and drag it into the Sequence again. I get a warning letting me know that nothing's going to change for any sequences that already contain this clip. And by default, they're set up so that Clip 1 gets the left audio, Clip 2 gets the right audio. One for the left audio and one for the right. I'm going to switch the Preset to Mono, which means that I'll get two audio clips instead of one. And this time I'm going to choose Audio Channels. Again, I'm going to right-click on the clip in the Project panel. It's even more visible that there's a difference between the two. And in fact, if I double-click to open up this clip in the Source monitor, and switch to viewing the waveform, which I can do quite quickly by clicking on this little Drag Audio Only button under the picture. You can see the difference in the level by looking at the waveforms in the Sequence. born in Japan and grew up there until I was five, then moved to. I have another Sequence here with a clip that has audio primarily recorded on one channel, channel 1 or left, but there's some audio on the right channel, channel 2, as well. If you've already added a clip to a Sequence, as I had done here, when you make changes to the playback speed by adjusting the interpretation of the clip in the Project panel, Premiere Pro won't change the duration in your Sequence. It's much more than your eye needs to see smooth motion. And that's actually normal playback speed. All of the media is there it's just playing back quicker than it was before. And that's because the clip is playing back faster. This clip is showing a lot of missing content. And right away you can see a change occurs in the Sequence. But I'm going to change this to Use Frame Rate from File, which is a little over 119. Right now, the Frame Rate setting is set to Assume a particular Frame Rate: 30.00 fps. And there are quite a lot of options here to change the way Premiere Pro interprets your media. I'm going to choose Modify, and Interpret Footage. To change the playback speed for the clip in Premiere Pro, I'm going to right-click on it in the Project panel. And notice I've got a sequence open in the Timeline panel, Slow Motion Sequence, that has just that clip inside of it. That's because although it was recorded at about 120 frames per second, it's playing back at 30 frames per second. If I play this back now though, you can see it plays in slow motion. It was recorded at almost 120 frames per second. I have a clip in my Source monitor, it's this GOPR-2562.MP4 file, that was recorded at a very high frame rate. To work with these kinds of media, you'll need to tell Premiere Pro how to interpret your clips. It's also common to use each audio channel in your recording separately, rather than capturing stereo or just mono sound. And it's common practice to record a high frame rate on location, so you can playback the action in slow motion in post-production. Different camera systems use different frame rates. The video is comprised of a series of still images called frames, that are displayed so quickly, they appear to be continuous. Double-click on the file to open it in Premiere Pro. You'll find that project file with the media associated with this lesson. For this lesson, I'm using the Premiere Pro project file 09_01 Frame rates and audio channels.prproj.
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